The 25th anniversary of renowned dance company Tere O’Connor Dance at New York’s Danspace Project was celebrated at the end of last year by the choreographer’s latest show; Cover Boy.
The set – constructed by Aptum Architecture (Julie Larsen and Roger Hubeli) – sees a dramatic winged canopy hovering above the show’s four dancers, transforming and interacting with them throughout the performance. Acting as “a ‘protective’ liner in-between the church and the dancers”, Aptum’s stage canopy, with all its contorting movement, lends the production a human quality – that typical set designs so often fail to achieve…
Photography: Cervantas Julietta