On today’s World Wide Web, a few clicks in any direction will invariably see you come across some form of street style blog, the phenomenon that rose to fame some 7 years ago with Scott Schuman’s The Sartorialist (yet is more deeply rooted in Bill Cunningham’s ’70s work for The New York Times) is one that shows no signs of subsiding – no matter how tiresome it may have become. Offering a refreshing antidote to this contrived fashionista voyeurism, the work of Swiss artist Beat Streuli puts real people, doing real things, in the same frame as prosaic wannabe blog-superstars position their irksome subjects.
With the aid of a telephoto lens, Streuli presents intimate portraits of his subjects, as if they’re a conscious participant in each shot – the results are precise moments in time that blur reality; often appearing more movie still than secret snapshot. A step on from the iconic images of ’50s street photographer Robert Frank, Streuli’s images capture a melancholic beauty in the mundane, whilst leaving you to ponder the paths each subject is walking… where they’ve been, what they’re doing, who they are, why they’re there – it’s obsessive people watching in the name of art.
Until 3rd February, Birmingham’s Ikon Gallery will play host to a sizeable collection of cinematic snapshots from Sydney, Brussels, New York, São Paulo and Guangzhou to name but a few; whilst a slide and video installation of images from Castellón and Birmingham taken this summer will complete this exhaustive collection of Streuli’s recent musings.