Lee Bul has, from her early career, always been interested in the city. Born under the military dictatorship of South Korea in the 1960s, she graduated in the ’80s and her early work included street performances wearing full-body soft sculptures, before changing tack in her delivery, if not her commentary. Bul’s sculptural cityscapes from the later part of her career are currently the subject of a retrospective at Ikon, Birmingham, which includes a major new commission as part of the show.
Early 20th Century architect Bruno Taut has long been an important influence on Bul, and her new work after his crystal structures takes his optimism and strangles it, adding layers of glittering ornament to her city until it is dripping with excess, functionality choking on its own complexity, rendered almost grotesque by its opulence. Dystopian overtones haunt previous works too; in Mon grand récit, mountainous skyscrapers melt into a flowing mass as an LED sign flashes out a melancholy message from a 17th Century work by Sir Thomas Browne. Dates for the show are 10 September to 9 November.