Marc Horowitz doesn’t seem to fit into the “tortured soul” category of artist — in fact his work suggests he has an absolute blast. The LA-based artist lets loose with oil, charcoal, pastels and acrylic spray paints — all at the same time it seems — in brilliantly haphazard canvases that exude a chaotic exuberance belying their inherent skill.
Classical themes and compositions are energetically reimagined, as though a gifted child has been left alone in a museum for a night with a sack of Haribo and a box of crayons. Carefully considered compositions are delivered with loose, sketchy abandon and filled with strokes and splashes of vivid colour.
That other pillar of classical art — statuary — also gets the Horowitz treatment; seemingly serious sculptures are irreverently embellished with foreign objects culled from junk shops or encountered during everyday life. Always keen to engage with his audience on a populist level, the artist has chosen to draw the names of this series of narrative artworks from the screenplays of The Matrix and Solaris. Interior, Day (A Door Opens) is the name of the collection, which is being displayed at DEPART Foundation, Los Angeles, between 8 October and 19 December.